The songwriter, actor, country/western singer, musician, U.S. Army veteran, helicopter pilot, accomplished rugby player and boxer, Rhodes scholar, Pomona College and University of Oxford degreed, and summa cum laude literature graduate, Kris Kristofferson, recently died at 88.

Americans may have known him best for writing smash hits like “Me and Bobby McGee” and “For the Good Times,” his wide-ranging, star-acting roles in A Star is Born and Pat Garrett and Billy the Kid, his numerous solo albums, especially with then-spouse and singer Rita Coolidge, and the country group super-quartet he formed with Johnny Cash, Waylon Jennings, and Willie Nelson.

In other words, Kristofferson was a rare Renaissance man who could do it all in an age of increasingly narrow specialization and expertise. America’s Cultur... Rufo, Christopher F. Best Price: $6.26 Buy New $12.90 (as of 05:43 UTC - Details)

At certain times throughout history at particular locales, we have seen such singular people from all walks of life.

Classical Athens produced polymaths like Aristotle—tutor to Alexander the Great, logician, student of music, art, and literature, educator, think-tank founder, biologist, philosopher, and scientist. Later Greeks like Archimedes and Ptolemy, as men of action, mastered six or seven disciplines and applied their abstract knowledge in ways that made life easier for those around them.

The late Roman Republic was another cauldron of multitalented geniuses. It produced the brilliant stylist, historian, politician, and consummate general Julius Caesar, as well as his republican archrival Cicero—politician, philosopher, orator, master stylist, lawyer, and provincial governor.

Turn-of-the-century Victorian Great Britain produced giants like Winston Churchill—prime minister, statesman, essayist, historian, orator, strategist, and wartime veteran. As Britain’s war leader, between May 10, 1940, and June 22, 1941, he, almost alone, resisted the Axis powers and prevented Adolf Hitler from winning the war.

But we associate the idea of a “Renaissance man” mostly with Florence, Italy, between the 15^th and 16^th centuries. In that brief 100 years, the Florentine Republic hosted multi-talented geniuses like Leonardo De Vinci—master painter, sculptor, architect, scientist, engineer, and inventor—best known for the Mona Lisa and Last Supper.

The multifaceted talents of his younger contemporary Michelangelo were as astounding, whether defined by his iconic sculptures David and Pietà, his stunning painting on the ceiling of the Sistine Chapel, or as the master architect of the Vatican’s St. Peter’s Basilica.

The American Revolution was a similar embryo of Renaissance men. Thomas Jefferson was perhaps the most famous example of unchecked abstract and pragmatic genius displayed in almost every facet of late 18^th– and early 19^th-century life—main author of the Declaration of Independence, third U.S. President, founder of the University of Virginia, inventor, agronomist, architect, and diplomat.

But Benjamin Franklin may best approximate the model of the Florentine Renaissance holistic brilliance—journalist, publisher, printer, author, politician, diplomat, inventor, scientist, and philosopher.

Franklin’s life was one of perpetual motion and achievement. In one lifetime, he helped to draft the Constitution, invented everything from the lightning rod to bifocals, founded the American postal service, and successfully won over European countries to the nascent American cause. Theodore Roosevelt—president, historian, essayist, conservationist, naturalist combat veteran, battle leader, explorer, and cowboy—exemplified the idea of an American president as the master at almost everything else.

The history of our own contemporary Renaissance people often suggests that they are not fully appreciated until after their deaths—especially in the post-World War II era.

Why? Reclaiming the America... Justin Raimondo Best Price: $3.59 Buy New $14.00 (as of 10:35 UTC - Details)

We have created a sophisticated modern society that is so compartmentalized by “professionals” and the credentialed that those who excel simultaneously in several disciplines are often castigated for “amateurism,” “spreading themselves too thinly,” “not staying in their lanes,” or not being degreed with the proper prerequisite letters—BA, BS, MA, PhD, MD, JD, or MBA—in the various fields that they master.

But specialization is the enemy of genius, as is the tyranny of credentialism.

Because the Renaissance figure is not perfect in every discipline he masters, we damn him for too much breadth and not enough depth—a dabbler rather than an expert—failing to realize that his successes in most genres he masters and redefines is precisely because he brings a vast corpus of unique insights and experience to his work that narrower specialists lack. The Greek poet Archilochus first delineated the contrast between the fox who “knows many things” and the hedgehog who “knows one—one big thing.” We have become a nation of elite hedgehogs, whose narrow expertise is not enriched by awareness of or interest in the wider human experience.

Renaissance people often live controversial lives and receive 360-degree incoming criticism, not surprising given the many fields in which they upstage specialists and question experts—and the sometimes overweening nature of their personalities that feel no reason to place boundaries and lanes on their geniuses and behavior or to temper their exuberances.

Read the Whole Article