Love & Mercy is a superb new biopic about head Beach Boy Brian Wilson’s creative summit in 1966, the year of the groundbreaking Pet Sounds album (featuring the sublime “Wouldn’t It Be Nice” and “God Only Knows”) and follow-up “Good Vibrations” mega-single, the greatest Southern California track ever constructed. The film follows Wilson briefly into his rapid collapse into mental illness and obesity, and then skips to his slow but gratifying recovery in the early 1990s.
This may not sound particularly promising, in part because musical biopics are out of fashion. Further, the Beach Boys’ family melodrama is familiar from two TV movies plus the thousands of interviews Wilson has done over the decades to promote the legend. Sounds of Summer: Very... Best Price: $1.85 Buy New $6.96 (as of 08:55 UTC - Details)
Moreover, it sounds gimmicky that two actors who don’t look much alike were cast as young Brian (moonfaced Paul Dano, who may be best known as the preacher in There Will Be Blood) and old Brian (John Cusack, whose career also peaked at age 23 when he held up the boom box in Cameron Crowe’s Say Anything…). But then again, Wilson’s face matured unexpectedly from chubby innocence to weathered ruggedness.
In fact, Love & Mercy resembles two separate movies interwoven, with distinct casts and color palettes: Young Brian seemingly lives in David Hockney’s Hollywood Hills swimming-pool paintings, while old Brian inhabits the muted, blue-gray June Gloom color scheme that took over early-1990s movies. Beach Boys - 20 Good V... Best Price: $1.81 Buy New $24.75 (as of 08:35 UTC - Details)
Another legitimate concern is that it’s an authorized biography, with the subject’s current wife having much input over script and casting. Melinda Wilson chose Elizabeth Banks to play herself, the Cadillac saleswoman whose love rescues a fortysomething Wilson from enslavement to his quack psychiatrist (Paul Giamatti). But Mrs. Wilson’s self-image doesn’t make use of Banks’ sardonic alpha-blonde sense of humor, currently on display in her hit Pitch Perfect 2, which she directed.
In partial defense of the megalomaniacal Dr. Eugene Landy, his “24-hour therapy” system—basically, having a glowering bodyguard hover around Brian—did reduce the quantities of drugs and hamburgers Wilson could wheedle out of fans and fellow celebrities who couldn’t help liking the overgrown kid no matter how many times he’d let them down. But much like with Britney Spears and her parasitical keeper a half-dozen years ago, Landy kept his meal ticket dependent upon his prescription medicines.